Live a poetic existence. Take responsibility for the air you breathe and never forget that the highest appreciation is not to just utter words, but to live them compassionately.

Monday, April 25, 2011

Lattice of Sunlight Through the Trees


Finally school has ended for the summer and I am able to start indulging in writing poetry and reading some fantastic literature I wasn’t making time for. I recently bought the collected works of Wallace Stevens and have been utterly inspired to say the least. His poetry seems to concern the transformative power of the imagination. Stevens’ style is entirely exotic, whimsical and infused with a sense of light and Impressionism; his words are soft and quiet yet explanatory, much like the unfinished brushstrokes of the impressionist painters.
So far, my favorite poem has been “The Brave Man.” I can’t explain whether it was the power of repetition, or the dark and ominous imagery, that struck me the most; I found it both ironic and brilliant to relate such a shadowy vision to describe the sun. The sun becomes an entity that is able to exist victoriously, impervious to the hand at man, at least during the day time. The poem is beautifully written and implies a sense of dependability where the sun never tarries, and always continues on its path.

That Brave Man
Wallace Stevens

The sun, that brave man,
Comes through boughs that lie in wait,
That brave man.

Green and gloomy eyes
In the dark forms of the grass
Run away.

The good stars,
Pale helms and spiky spurs,
Run away.

Fears of my bed,
Fears of life and fears of death,
Run away.

That brave man comes up
From below and walks without meditation,
That brave man.

Friday, April 1, 2011

A Poem: "Water's Edge"

Water's Edge
By Jenna Reimer

The cold wind on the rock,
The black wind of the sea,
Broke and bent-
A blood spurted from the soul:
Falling onto stones below
Where bearded peaks of ocean
Battled the cliff.
If it could have spoke,
If it could have stood up sharply,
To the sky and howl
The trashes of life-
Felt from the crevice of this earth.

Thursday, March 31, 2011

A Poem: "My Breath, Taken Twice"

My Breath, Taken Twice
By Jenna Reimer

My breath, taken twice
Is all I have to tell today.
Once, kissed by a soft wind,
My cheeks flushed a rose-red-
Twice, that breeze parting
Into an eternal distance-
This is poetry I cannot write.
This, and my heart, and all the trees,
And all the fields wide,
In time I may forget-
And never a pen will speak
This feeling so fleetingly.

Tuesday, March 29, 2011

It has been a while...


I haven’t posted in a long while and feel quite saddened by the fact I haven’t been making time for the one passion I seem to exude: poetry. School is finally wining down and I am looking forward to getting in some much need writing, perhaps attend a few workshops a good friend of mine offers on Thursdays. I decided I need to start making more time for the things that I enjoy as 3/4 of my life involves things that suck... suck real bad. Haha!
I have been lacking inspiration, and time, due to school and work overload so I am anticipating this summer to be full of endless posts of poetry on all subject matters! I have been particularly obsessed with Paris lately so I am sure much of the content of my poems will having a lot to do with mourning the distant land I so wish I could live in; just a forewarning. Hmmm… one day I shall bask in the amorous atmosphere of Parisian society where I will sing, dance, love, write and be entirely at peace in the city of art and culture! *sigh*

Sunday, February 6, 2011

A Poem: "The Masterpiece"

The Masterpiece
By Jenna Reimer

In the prevailing gloom at days end
A faint pale light hovers over an image-
The reflection of my own discernible face.
Painful breathing
Seems to come from the darkness,
Like a mighty, remote sorrow rising
From the city streets.
A fading vision, vague and incomplete,
My left eye is lost amongst stiff shadows already;
The loin of my hip faintly visible.
I feel my head in a whirl, being swallowed
By an earth dropping into the void.
And in the cloudiness of the moonlight
A grey half-gloom fades onto my face;
The beam becomes a luminous compass,
Reflecting from this mirror a waning shroud.

Saturday, January 15, 2011

Miniature Books


Miniatures, dollhouse accessories and anything utterly miniscule has always fascinated me. As a child I remember being captivated by tiny figurines and items that resembled the life size objects never cared for in my own life. The objects, as miniatures, took on an entirely new meaning and purpose; they no longer held this useless, mundane entity that it had previously represented as a larger item.

I remember owning a miniature book, although, I cannot recall what the book contained. I cherished this tiny piece of literature as if it was a piece of priceless gold, an object that I must keep hidden incase a thief was nearby. You have probably presumed the book has been long lost, which it has, but I can still smell the tiny, unreadable, pages and feel the soft leather that encapsulated them. I was on etsy.com and wanted to share some gorgeous little treasures that reminded me of the splendors of childhood keepsakes.

Monday, January 3, 2011

Money Walks... Sort Of.


Alberto Giacometti's 1960 sculpture of a 6-foot-tall, bronze slim, slim man, "Walking Man I," sold for 65 million pounds ($104.3 million) in a Sotheby's auction, shattering the record price for a work of art at auction. Perhaps a sign of a potential resurgent of art collecting? The bidding began at 12 million than quickly escalate, with roughly 10 bidders buying for the sculpture; the purchaser remains anonymous.

The 6-foot-tall bronze depicts a wiry man in mid-stride, his right foot jutting forward, his head erect and and his arms hanging at his side. Giacometti, a modern master known for his haunting sculptures of blank-faced Everymen, cast the work 60 years ago as part of a commission to plant several of his bronze figures on Chase Manhattan Bank's Pine Street plaza in New York City. The artist famously struggled with the project, eventually quitting it but casting stand-alone versions of several of the planned figures, including "Walking Man I." The price breaks the existing $104.2 million auction record, set six years ago at Sotheby's, for Pablo Picasso's 1906 portrait "Boy With a Pipe," whose buyer remains unknown.

Just who the hell was this artist whose work essentially shattered the economic cloud that of budget cuts and recessions? Alberto Giacometti,(b. Oct. 10, 1901, Borgonovo, Switz.—d. Jan. 11, 1966, Chur), Swiss sculptor and painter, best known for his attenuated sculptures of solitary figures. Notable works include “Head of a Man on a Rod” (1947) and “Composition with Seven Figures and a Head (The Forest)” (1950). His work has been compared to that of the existentialists in literature (ooohhhh happy dance happy dance); in 1963 Giacometti designed the set for Samuel Beckett’s drama Waiting for Godot.

So how do I feel about a work of art being sold for such an absurd amount of coin? I have yet to decide. I think I will forever be doomed to be vulnerable inside the complicated justifications of art and its value; I will save myself for this argument at a later date. However, I will leave you with my semi-developed thesis: Art is often taken as a primary example of something with intrinsic (rather than just instrumental) value. But what’s so valuable about ‘intrinsic’ value?